I love this moment because it just speaks to Thor’s personality: he’s in an unfamiliar place, he’s lost his hammer, he has no idea what the word “Facebook” means but a lady says “smile” and he just goes for it. This adorably narcissistic cutie.
this is every marvel trailer ever im sobbing ont he floor i can literally envision steve rogers narrating while tony stark punches something in rhythm of the beat
So I’d totally watch this movie, I’m not even kidding.
So Hunchback is far and away my favorite movie from Disney’s
Renaissance, and it always makes me so happy that yes, people seem to
appreciate it, people seem to love it, but I’mma go into exactly WHY it’s my
favorite, and WHY I think it’s so crucial, and WHY I think it should be
required viewing for young boys specifically.
We all know that a huge bulk of the media we’ve grown up
with consistently has that one frustrating message: Being the hero means you’ll get the
girl. Many boys let this mentality bleed
into reality. We have “nice guys,” who
feel that their niceness entitles them to romance, when obviously that
discredits a female’s personal choice. We
all get this, we all know this, and a lot of us get that it’s a toxic message.
So check out our hero.
He’s an incredibly good person who isn’t conventionally attractive.
Check out our lady.
Super good person, conventionally attractive.
The movie so deliberately builds up Quasi’s hopes. There’s a whole fucking song about it.
But Esmeralda, who is her own person with her own
motivations and preferences, chooses another man, who is also good and also
attractive.
A lot of people criticize this aspect of the movie, the fact
that Quasi doesn’t get the girl BECAUSE of his appearance. But my argument? This is the best damn message a movie could
ever send.
Because when things get dicey, when Esmeralda’s life in in
danger, when Quasi would be putting his own life on the line, he knows that
romance is no longer within the realm of possibility. He knows he won’t be “getting the girl.” He knows this, and he allows himself a moment
of bitterness, he risks falling prey to the “nice guy” trope, and he almost
succumbs.
“She already has her knight in shining armor, and it’s not me.”
BUT THEN HE DOES THE RIGHT THING.
He has NO ulterior motive for saving her life. NO ulterior motive for opposing the man who
raised him. And he doesn’t know that he’ll
get any reward, he knows he could straight up get killed for his actions, and
yet he still acts.
And there’s no bitterness.
There’s still so, so much love between him and Esmeralda, pure awesome
platonic love, and love between him and Phoebus, and just fucking love all
around, it’s amazing.
I’ve heard so many people express distaste at Quasi not
ending up with Esmerelda. Like he was
cheated out of some kind of reward. But
have they watched the ending?
Does that look like a man cheated of his reward? Does he look like he “lost” to Phoebus? No dude, that’s a man who has everything he
ever wanted, and that’s also a man who didn’t “get the girl.”
If that’s not an essential message for young boys to hear, I
don’t know what is.
The writers described HoND as a “Rolling Stones” ending: Quasimodo doesn’t get what he wants (Esmeralda’s love) but he gets what he needs (freedom from his abusive guardian and acceptance by the city in general). And yes, that totally counts as a win for him.
An excellent opposite to this would be the plot to The Phantom Of The Opera (the book) He does not embrace her personal choice.
On a scale from Hunchback of Notre Dame to the Phantom of the Opera, how badly did you handle a lifetime of isolation based on deformity, and losing your crush to a guy who would absolutely place second to you in a singing competition
character being all “you expect me to do X?” Gilligan Cut to character doing X
the squad gets captured and interrogated separately, and they’re all telling equally terrible, completely contradictory lies
people completely missing the completely unsubtle, very visible dangerous thing in the room with them
alternatively, people absolutely seeing the completely unsubtle, very visible dangerous thing in the room with them and just not giving a shit
bonus points if it’s a beleaguered minimum wage employee who just goes about their business like “yep same shit as always”
someone pretending they don’t know another character is eavesdropping, only to casually reveal at the end of the scene that they know (*leaving* “tell tom that he can come out now” *tom drops from the ceiling in spy gear, irritated*)
choosing to deal with the villain by just leaving them alone in a room with another character
the “hands go down” trope
example: “any questions?” *everyone’s hands go up* “…that AREN’T sarcastic?” *everyone’s hands go down*
how could all y’all forget “ACT NATURAL!”
These are all great but let’s not forget two characters giving extremely biased flashbacks to the same event that each paint the other as an incompetent loon
i would like to respectfully add: scenes where a character walks into a room, sees something scary, and turns around and walks out with no reaction or change of expression
RandomFandom 