A group photograph of MGM’s stars and starlets under contract, taken for the studio’s 20th anniversary in 1943.
James Stewart, Margaret Sullavan, Lucille Ball, Hedy Lamarr, Katharine Hepburn, Harry James, Brian Donlevy, Red Skelton, Mickey Rooney, William Powell, Wallace Beery, Tommy Dorsey, George Murphy, Jean Rogers, James Craig, Donna Reed, Dame May Whitty, Reginald Owen, Keenan Wynn, Diana Lewis, Marilyn Maxwell, Esther Williams, Blanche Ring, Sara Haden, Fay Holden, Bert Lahr, Frances Gifford, Ben Blue, Chill Wills, Keye Luke, Barry Nelson, Desi Arnaz; Louis B Mayer, Greer Garson, Irene Dunne, Susan Peters, Ginny Simms, Lionel Barrymore, Spencer Tracy, Walter Pidgeon, Robert Taylor, Pierre Aumont, Lewis Stone, Gene Kelly, Jackie Jenkins, Van Johnson, Fay Bainter, Marsha Hunt, Ruth Hussey, Marjorie Main, Robert Benchley, Ann Richards, Marta Linden, Lee Bowman, Richard Carlson, Mary Astor, June Allyson, Richard Whorf, Frances Rafferty, Spring Byington, Connie Gilchrist, Gladys Cooper, Henry O’Neill, Bob Crosby, Rags Ragland.
Y’all know when Mulan is sitting in the rain and watches her parents silhouette disappear as the candle is blown out and then her eyes squint in determination and the music that starts to play and you see her go into the family temple and light a match and bow in respect and then sneak into her parents room and switch the scroll for her hair brooch and then the way her reflection is shown as she pulls the sword and cuts her hair?? It’s literally more iconic than any marvel movie
Y’all know that there is heavy symbolism in that scene to show that Mulan is the spirit of the Great Stone Dragon and that’s why Mushu wasn’t able to awaken it?
im sorry What!! i never knew this! my life feels fuller!!! ahhhh
Mulan sits in the rain underneath the statue of the Great Stone Dragon (who is looking down on her), and suddenly decides on a course of action. She looks up, resolved to go to war in place of her father and runs into the temple where she lights the match and beseeches protection for her family. The stone she bows to and that we see lit up by lightening strike is that of the dragon, whose eyes are looking out after her, lit from underneath by the candles. The scene transitions to the divider in the house that also has an icon of the dragon. where she replaces her hair comb with the summons. Then we see the sword hilt, also the dragon, and as she draws the blade we see her face replace it. She ties up her hair, then as she opens the wardrobe, the handles are also the dragon. After donning the armor, the view shows her facing us, with the hilt of the sword (the face of the dragon) in front of her face, where she then turns the sword to reveal her face, and sheaths it. As she leaves, we flash back to the temple, and the eyes of the dragon flash as her grandmother wakes up.
The Great Stone Dragon resides within her. She is the protector of the family.
After this explanation, the scene where Mushu cannot wake up the stone dragon makes so much more sense. I appreciate the symbolism so much more. I noticed the dragon but didn’t notice she was constantly juxtaposed with the dragon!
Before creation itself, there were six singularities. Then the universe exploded into existence, and the remnants of these systems were forged into concentrated ingots… Infinity Stones.
btw what I loved about valkyrie’s plot in Ragnarok is that it was such a male plot usually? she rolls up drunk, shoots up a bunch of people, owns thor, sells him, then we realise she is drowning her sorrows and is actually a fallen hero, and she then gets a redemption ark???? is that not every male outlaw with a heart of gold???
Omg I said this same thing when I first saw the movie! Totally agree!
That was actually a combination of me and the visual effects supervisor and the production designer sitting down and sort of coming up with the biological growth that’s growing all over the cars and what that looks like and the color palette. And we started to look at the nuclear test films from the 1940s of the nuclear blasts and just decided that it would be great if the landscape was not only violent with these creatures, but also the atmosphere. So we decided that it was kind of an eternal nuclear blast except nothing ever really gets obliterated because it’s eternal and it’s constantly going. – director Francis Lawrence on the appearance of Hell; P.D. by Naomi Shohan
are y’all going to pretend like you didn’t like this movie
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