I cannot believe that Robert John Downey Jr designed a custom Steve Rogers car as a gift for Chris Evans. I cannot believe this. The leather is based on the jacket from catfa. I’m going to absolutely explode WHAT A PAL WHAT A GOOD AND GENEROUS AMI. THE DEDICATION TO THE AESTHETIQUE……this is some tony stark level gift-giving this is absolutely iconic
There has always been a connection between Wanda and Vision – Two individuals that find solace in each other as they continuelly discover both their abilities and who they are. This understanding has forged a strong bond between the pair, giving each romantic feelings for the other.
When Vision hits a wall in his research project, Tony suggests that he find a partner. Vision resists and drives quite a few candidates away, but maybe a Miss Maximoff may be up for the challenge?
For an issue with more characters than Logan’s got chest hairs, how does artist David Marquez get into individual minds without the clunky “Meanwhile” caption? How do we leap from a big scene featuring 9,000 gawking X-men and go super-personal …
… into the head of a wily thief who’s about to make the biggest decision of his life?
This post thinks through how Marquez creates a sense of a character’s subjectivity by paneling and composition—in Remy’s proposal scene. The 21st century has made us expert visual readers, and we pick up these cues unconsciously. My goal is to make those cues explicit, so it’s clear how much work we actually do when we read comics.
It goes by really fast in the movie, but when Proxima shoots Wanda and Vision out of the sky, Vision reaches out to grab Wanda as they’re falling, flipping them over to take the brunt of the fall and protecting her head in his hand (while Wanda is softening their landing with her magic).
In his last moments he is comforting Wanda. Before he closes his eyes, he smiles at Wanda to let her know he is at peace and that she is not hurting him so she doesn’t feel guilty after he’s gone.
RandomFandom 