dark-siren:

tomhardydotorg:

Found Furiosa negotiating London traffic

okay but like how did this interaction go they’re both stuck in traffic looking out the window does Tom Hardy yell to this bus driver: FURIOSA! it’s ME MAX or does this awesome bus driver startle all her passengers by leaning out the window and yelling HEY MAX IT’S ME FURIOSA either way!!!! look at her blowing kisses! look at him all pleased i love this so much (via wildehack)

penfairy:

What’s really incredible about Mad Max: Fury Road is that our titular, brooding White Male Lead in an Action Movie™ is given no opportunities to appear badass or heroic unless he’s working as a team or directly helping the women.

We see Max alone in the desert, all brooding and action-hero-y, clearly haunted by a tragic past… and he’s immediately captured, chained, humiliated and spends the next half hour tied up and useless while Furiosa is off getting shit done.

Then he gets free and he comes in waving a gun around and embarrassing himself. It’s not until Furiosa calms him down, wins him over, and he starts following her orders that he’s allowed to appear properly badass – in an action sequence that begins with him handing her a gun, and which progresses with the two of them working as the ultimate team while the girls help him as much as he defends them.

Then they’re in the Night Bog. Max fails to hit the Bullet Farmer and instead becomes a prop to steady Furiosa’s shot. Then he runs off on a solo mission and it doesn’t even merit screen time. Some dude lone wolfing it to kill a scary bad guy? Who cares. Let’s watch Nux running in front of the rig and the girls cooling down the engines instead.

Then comes the final chase. Max is undeniably awesome, but he is only allowed to be awesome because all of his efforts are dedicated to helping and protecting his weird new family. And the instant he hears Furiosa is hurt, all of his badass moments are pivoted around reaching her. He fights a hundred war boys, jumps over trucks, swings off poles, sets of explosions, beats someone with a flamethrower guitar, just so he can be there to catch Furiosa once she has killed the big bad Immortan Joe.

And, of course, his biggest heroic moment in the film isn’t even a cool action sequence or taking out a villain – it’s saving someone’s life. It’s being selfless and compassionate. It’s expressing love and humanity. It’s acting as a nurse and donating his blood. Max’s triumph is fixing something that’s broken.

Then, at the end, instead of being rewarded with a sexy girl and something else cool like most action heroes, Max gets nothing. He gives everything to Furiosa – his love, his loyalty, his fighting skills, his blood, his name – and he takes nothing in return, nor does he feel he is owed anything. He is content simply to help her, and thanks to this love and selflessness he was able to achieve some kind of redemption. 

In Fury Road, a man’s heroism is not determined by how strong or tough he is – it is defined by how willing he is to love, help, support and protect others, particularly women, while demanding nothing in return. 

Why MM:FR Was the Most Tasteful Action Movie I’ve Seen

netherworlde:

Things that the film handled with restraint:

Rape: As countless people have said – Half of the movie’s main cast consists of sex slaves. And there’s not a single rape scene. 

Gore: The film looks exactly the type to be ultra-violent a la Quentin Tarantino. But it’s not. The one gory moment is one that you can see coming from miles away and lasts only for a second. And even then, it’s not terrible. Considering this, the movie probably could have had a PG-13 rating with minor alteration.

Sexualization: Five women wearing nothing but gauze sounds like a recipe for anything but what we got; no lingering, awkward, bodily shots. There was even a scene with a completely naked young woman with the camera focused directly on her. Guess what. The camera treated her exactly as if she were wearing flannel pajamas.

Degradation of women: Bad people get upset. We get that. Sometimes they like to swear at our heroines. And yet no one felt the need to say “bitch,” “cunt,” or “whore.” How a film managed to present about the least female-friendly society you can imagine but treated its female characters with more respect than 99% of action movies is beyond me.

Things that the film did not handle with restraint:

FLAMETHROWER GUITAR.

Gender equality: No one once says “Women are ___,” or “Men are ___.” It almost seems like outside of Immortan Joe’s freakishly utilitarian society, men and women get along just fine. Huh. Weird.

Death: Good and bad people die alike on the Fury Road; very quickly. It’s your typical action movie body count. But in a move that’s both odd and brilliant, the film spends a good amount of it’s scarce dialogue detailing what death means to the characters. For some, it’s a suicidal call to honor. For others, it’s a necessary risk to bring about more life. People die in droves. And it’s sad. Death matters.

Criticism: This is about the most critical movie of gender inequality, capitalism, and fascism I’ve ever seen without anyone ever mentioning gender inequality, capitalism or fascism.

COMPASSION: I can’t state this enough. This is a post-apocalyptic genre movie where people kill each other over sex slaves, border disputes, and cars and its message is hope and compassion. The biggest, most heroic moment of the movie is an act of healing, not an act of violence. WHOA.

That look that Max gets when he picks up Furiosa kills me every time, he looks so terrified. Poor hobo man doesn’t want to loose his queen

oneangryshot:

do you mean this face anon?? this face?? because yeah. yeeeah. that is the face of the most frantic, most terrified, tiny baby ever to roam the wasteland.

image

or maybe you mean this face, where he’s realising exactly how hurt she is (and cheedo’s in the background like eh, tis a scratch).

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or maybe you mean this face, which i like to call The Worst Face, because of how terrible it is. this is the face you make when you realise that you have to bail soon because you’re having feelings and that hasn’t happened in A Long Time.

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On Fury Road and the value of non-threatening male heroes

belovedblabber:

So I’ve been re-watching Fury Road and something struck me;

Tom Hardy’s Max is just really non-threatening. Now, that’s weird on a surface level because in story he’s presented as very dangerous. But here’s the thing about the kind of men we’re used to seeing in action movie; They are threatening in their masculinity.

The capitol A Action hero is a fixture in our cultural awareness. Almost without fail this hero is a man (if you have a woman in the role of action hero, it’s almost always proceeded by her gender. She can’t just be the action hero, she is very clearly cast as a FEMALE action hero.) So our male Action hero  is a badass. He’s dangerous, he’s brooding, he’s tough as nails. Sometimes he’s sarcastic and witty, sometimes he’s a moody stud. Point is, despite cultural changes that we see with our Action heroes as different pop culture trends change the flavoring, these men are all pretty much cut from the same mold. And here’s the thing about your typical Action hero; They have this underlying current of threatening masculinity. To put it bluntly, your typical Action hero is really all about cock. They’re intimidating to both their male peers and the women who are cast opposite them. They are toxic masculinity distilled onto our screens.

Now, in recent years we’ve been seeing more varity in our Action heroes. More emotion. Of course, there have always been exceptions (Luke Skywalker is one of the most note worthy male heroes to break this mold, and I think it’s worth noting that he’s often called whiny. Hell, when I was a little kid I loved him, but as a young teenager I thought he was lame. Now I realize that this might well have been because he wasn’t acting like your typical male hero. Maybe that scared me on some level) Anyway, let’s get back to Hardy’s Max. In story he  starts out as frightening, but he is never threatening in the way of your usual Action hero. He’s feral, dangerous, and unpredictable at the start of our story, but he doesn’t have any of that toxic masculinity.  So, we have a mad Max who is dangerous, and seems mad, as it were.  But there’s none of that hyper male Action hero posturing.

Hardy’s Max is a flawed man whose past has almost driven him past the point of no return. To the other characters in the movies he initially seems to be  feral (they don’t have the benefit of hearing his inner thoughts) Max is a frightening, but he’s not a masculine he-man. In fact, the characters in the movie who fall close to what we’re used to seeing in Action heroes are the warboys and their leader. The culture espoused by Immortan Joe is hyper masculine and toxic. The young men who idolize him seem like extreme versions of what we’re used to with our heroes. They’re brainwashed into a society built on toxic masculinity and objectification, and the heroes of the story are the ones fighting against this idea. Interestingly, Furiosa has a lot of traits of your traditional Action hero, but it’s coupled with compassion and self reflection, not because she’s a woman, but because  she’s  a person. Like Max, she is fighting to regain her humanity through helping a group of young women fight for their freedom from a world of toxic masculinity.

So, again back to Max himself. As the movie goes on he regains his sense of self. A big theme int he movie is the objectification and commodification of human life. We see this with Immortan Joe’s ‘wives” as well as with the brainwashed warboys and the use living humans as ‘bloodbags’ and ‘milkers’ Max starts the movie literally strapped to the hood of a car as a hood ornament/living blood bag.  Max is reluctant to help Furiosa and the ‘wives’ at first, but we see him change in a brief period of time. He  regains his humanity through helping others and coming to terms with his own demons. Hardy’s Max is dangerous, but he’s also vulnerable, undeniably so. We see his fear, we see what haunts him, and we see him struggle to survive, and then struggle to come to terms with his past in order to help others have a future. This sets him apart from Mel Gibson’s Max, and in my opinion makes him the better of the two. By the time Max starts really showing his human side, we see a man who is compassionate and half broken, a man who relearns himself by helping others.

Another notable aspect of Max is his relationship with Furiosa. Usually when your typical Action hero is paired with a STRONG INDEPENDENT WOMAN in a movie, there’s this ongoing dynamic of ‘but you’re a girlllllll’ There isn’t respect, because the heroes of the story are acting out the deeply felt internalized misogyny of our own society. They can’t interact as equals because in our cultural minds they are inherently unequal. They are defined by their rigid gender rules, and they act this out like they’re children on a playground crying about cooties. And of course, there’s usually the sexual element, with the heroes constantly griping at/disrespecting one another while it’s played off as repressed attraction all along.Fury Road never once does this. Max and Furiosa are two flawed and broken people trying to survive. There isn’t a split second where Max stops to wonder how a GIRL can be so tough. Once they’re established as allies, they immediately move into a working relationship built on mutual respect and trust. Two scenes come to mind. Firstly, the initial canon chase when Max first shows himself as an ally. There’s one notable moment where Furiosa is standing up out of the roof and Max hands her a gun. That doesn’t seem important, but there’s something about that gesture that’s very c cinematically important. It shows us that they’re a team now, and it shows us that they trust each other. The second notable scene is the “Don’t breathe” moment in the night bog. Max has previously seen that Furiosa is a good shot. He knows that she is the one to trust with this task, so he hands her the gun and lets her use him as a rifle stand. It’s a moment with no dialogue that speaks volumes.

All of this goes to Max as a nonthreatening hero. He never objectifies, disrespects, or distrusts his counterpart. He’s never an alpha male. He’s part of a story that he doesn’t need to dominate with his manly male maleness. Hardy’s Max is a dangerous, vulnerable, and quietly compassionate man who gives respect and trust where it’s due. He has no need to parade and prove his masculinity. In fact, the people doing that are the villains, and isn’t that telling?