Leverage – The Three Strikes Job

afraschatz:

 Some of the stuff I love about The Three Strikes Job…

… the title. Clever 🙂

… the flashback to Nate’s son’s death. Tim Hutton just slays me with this every time. And to think that he barely knew the character back then? He just kills it.

… Tara taking Nate’s drink from him and just drinking it. I love her relationship with Nate (and the rest) and how different from Sophie’s it is.

… the team during the briefing, I want to write essays about them. Nate being off-the-rails, everyone knowing it, Eliot addressing it; not just because identifying the bad guys’ weapons are his job, but because the team’s safety is his job and Nate is putting it at risk. And it’s ELIOT who makes the decision here, it’s only when HE decides (very much not agreeing with Nate’s frame of mind anyway) that Hardison gets active. I love this team’s ever-changing dynamic sososo much. – Strike one!

… and again, Eliot’s reaction to Nate instantly spotting what this is about (and Nate’s change of posture of his tone of voice – much more calm and collected)

… the actor playing Culpepper. I love him in everything he does and he so awesome here.

…Tara and Nate watching Cullpepper and Tara being so professsional and cool towards Nate

… “You spend your weekend making these things, don’t you?” – “YES, I DO.” – “I do.” ❤

… Parker being casually bored with jumping off buildings

… any episode where Eliot and Hardison play law enforcement together and are just so needlessly over the top passive-aggressive? 

… the young cop having actually made himself an ICE TEA

… Hardison talking to him like he has never watched an episode of CSI

… the young cop’s miniature crawl across the carpet

… Tara briefing Parker on the spot. And Parker not arguing with it, but just going with it, because Tara is that fucking good.

… Parker not letting go of that picture frame for that needlessly aggressive second

… “That’s not a twig, that’s a grasshopper’s leg”

… Hardison using praise to get rid off the young cop and then immediately shaking his head, like “how are people so naive?”

… Hardison’s completely mental commercial for Eliot. And Eliot’s UTTER lack of interest at first, then the random joy

… Eliot not liking baseball but of course killing it. And then – hahaha – realizing that he gets to hit stuff with a massive bat

… Dean Devlin and John Rogers as the radio show hosts hahaha

… Parker speaking Spanish (like, another “I thought everyone could do that” moment)

… I am not really sure that Eliot really gets how you are supposed to play baseball 🙂

… “I think we lost Eliot until the playoffs”

… “THEY NAMED A SANDWICH AFTER ME.”

… Hardison’s and Eliot’s handshake ❤

… the camera movements during the conversation at the table – so erratic, just like Nate. And again, the last reaction shot is that of Eliot. He is NOT amused. – Strike Two!

… Eliot and Hardison posing as cops AGAIN

… Hardison being sooooo unimpressed by Eliot’s love for Roy. Like, SERIOUSLY?

… “That’s what the inside of an easy-bake-oven looks like.”

… “These beans are made of guns.”

… Nate’s angry face and then Nate completely losing it while Parker, Hardison, and Eliot planning the escape.

… Eliot and Parker teaming up against Hardison. So much hilarity in the middle of a fucking crisis

… “Dude, grenades.” – “Dude, the van! 

… Hardison saying what needs to be said. “Kiss my ass.” I love that he is the one to call it because he absolutely is the heart of the team – Strike three!

… hi, Sterling! Now go away. I don’t want you to try and arrest the team. AGAIN. No, wait. I do. The Jailhouse Job is one of my fav episodes. So, go ahead I guess.

Leverage ❤

bemusedlybespectacled:

metanoianmayhem:

thetavernknight:

we-are-rogue:

Image found on the internetz. I don’t think Sophie would have anything resembling a combat class, but if you HAD to pick one Roguish archetype for each of the Leverage team, that’s certainly as close as it gets. 😀

Not sure I’d put her as a Swashbuckler, but she might be a Thief/Bard multi-class. 

Dude. Elliot is so not an assassin. he’s a freakin tank

Technically I think they’re what happens when you have an all-rogue party, but consider instead:

Nate: Inquisitor. Though a religious class akin to a cleric or paladin, Nate approaches the cons with a religious-like zeal for justice and righteousness. Class skills include Bluff, Diplomacy, Disguise, Intimidate, all the Knowledges, and Sense Motive – all things that Nate has in abundance.

Sophie: Bard, Brazen Deceiver archetype. A Brazen Deceiver isn’t a rogue with bard skills, they’re a bard with rogue skills. Brazen Deceiver’s bardic skill is lying (read: grifting), and it replaces most bard skills with rogue skills, which is important for Sophie since she’s terrible at actually acting.

Eliot: Monk. Unlike fighters, who usually do your classic hit-with-sword/shoot-with-arrow, monks are masters of martial arts and focus on unarmed combat. And unlike barbarians, who are all about unbridled rage, monks are self-contained and self-controlled. And monks have to be some kind of lawful alignment, and I think out of all of them, Eliot is the most lawful of the crew, given his strict adherence to principles like “don’t con your own team” that the others don’t follow.

Hardison: Alchemist, Tinkerer archetype (Lucille is his clockwork familiar). It was hard for me to think of a suitable class for Hardison, since there isn’t really a fantasy analogue to “hacking,” but I think that his abilities in creating things (the crying statue, the 1700s diary, the energy drink that tastes like dust because it’s made out of dust and food coloring) translate well to alchemy. Also he’s got some mad scientist in him and that’s absolutely alchemy.

Parker: Rogue, Acrobat archetype. I don’t even need to explain this one.

panzertorte:

#the fact that eliot   #who always moves carefully knows where to put his feet where to rest his weight how to move regardless of the situation   #goes skidding to get to Hardison that much faster   #and that Hardison who’s so careful with how he touches and when   #never demanding   #unless it’s to give Eliot shit   #is just openly clinging   #…this entire scene hurts my heart so bad but I love it   #and that’s not even talking about Hardison and Parker here holy hell   (via distinctivelibrarians)

Also the fact that he doesn’t go hug Parker because that is just too much for her. She has to process this in his own way and even though he wants to hug her he still gives her space.

amandageddon:

renew-leverage:

insertusernameici:

Eliot “no shoes on the table” Spencer.

#really though how much of Eliot’s time is spent just trying to housebreak his teammates? #no Nate whiskey for breakfast is a pub song not a valid lifestyle choice #no Sophie you cannot get yet another set of monogrammed towels #bring me a list of your twelve favorite names and I’ll scramble them up and you can have a surprise each month #no Hardison your feet do not belong on the table #your empty soda bottles do not belong on the floor inside this apartment or in the van #lagers do not belong on your winter menu and definitely not with a chocolate lava cake damn it Hardison we already covered this! #(your trackers do definitely belong in Parker’s shoes though that one was probably a good call) #speaking of which no Parker your shoes do not belong on the roof a pigeon knocked one off and scared the shit out of me #also your shoes do not belong on the table either #no one’s shoes belong on the table #please for the love of god can we just sit here and plan our elaborate con like a well-behaved family #can I not have just ten minutes of peace and quiet #do not make me turn this heist around (tags via ereborne)

Do not make me turn this heist around!

onaperduamedee:

@Anonymous: Did Tara and Sophie meet in Russia? That might explain why they are both so knowledgable about Russians/Soviets (Sophie saying you can talk your way out of Russians, and Tara’s knowledge of cryptology and telling Eliot and Hardison that you can’t budge a Soviet/Russian Bureaucrat with mere paperwork?

No, but it involved Russians. And Dubai. And artwork, and uranium.

— John Rogers, on Tara and Sophie