lydsmartini:

i think about the fact that eliot’s counterpart for the “anti leverage” team was a woman a lot. and by eliot’s counterpart, i mean their team’s brute. their hitter. the one who beats up and attacks anyone who threatens the team’s plan. and eliot isn’t like “oh she’s a woman” even tho hardison was like “u weren’t gonna hit a girl.” and he was like “she killed a man with a mop.” he was scared of her. he respected her. he never once thought he could get the upper hand just because she was a woman.

Leverage Con Names

glen-reeder:

This a list of all the cons/scams/grifts that the Leverage team names during the show. Included is everything from a small one-on-one interaction between a grifter and a mark (eg. Little Orphan Annie) to full blown multilevel integrated cons (eg. The White Rabbit). If it had a name, it’s here.

If it has a black star beside it, it has a canon explanation or demonstration (eg. The Moonwalking Bear). If it has a white star, there were hints or comparisons made about it (eg. The Apple Pie is “like the Cherry Pie, but with lifeguards”). If it’s hyperlinked, it’s a real life scam and the link is to Wikipedia. If it’s totally unmarked, then the name was mentioned but never elaborated upon and is a part of the team’s beautiful argot. 🙂

  • The Lost Heir ★

    • S1E3, S2E9 
  • A Rip Deal ★

    • S1E5
  • The Spanish Prisoner Scam

    • [in reference to Irina’s adoption con]: “It’s just like the Spanish Prisoner Scam.”
    • S1E6
  • The London Spank 
  • The Geneva Paso Doble
  • The Apple Pie

    • “It’s like the Cherry Pie, but with lifeguards.”
    • S1E9
  • The Cherry Pie 
  • Glengarry, Glen Death

    • S1E9
  • The Turnabout

    • S2E1
  • Ponzi Scheme
  • The Mona Lisa Variant

    • S2E7
  • The Wire Game

    • S2E11
  • The Swedish Rail Con
  • The Cairo Flyer

    • Sophie: “No way, I’m not wearing that dress again.”
    • S3E5
  • The Double-Blind

    • S3E5
  • A Fiddle Game

    • S3E6, S3E10
  • The Pill Scare

    • S3E9
  • The Berlin Shuffle
  • Little Orphan Annie

    • S3E9
  • The Skagway Shuffle

    • S3E10
  • The Mummy’s Tiara

    • S3E12
  • The Vegas Wake-Up Call

    • Like the Cuban Sandwich except “the boyfriend shows up.”
    • S3E13
  • The Cuban Sandwich

    • S3E13
  • An Edward Albee

    • S3E14
  • The Spanish Turnabout

    • Sophie: “I’m thinking the Spanish Turnabout.”
    • Parker: “Hmm, no, he’s not going to leave the country. The [Spanish] Turnabout pays off in an airport.”
    • S3E16
  • The Peking Watch
  • The Moscow Circus

    • Sophie, to Nate: “I’m running the Moscow Circus con, you’re the ‘Ivan’. Go.”
    • S4E1
  • The Romanian Circus

    • Nate: “What [Sophie]’s doing is she’s running a variant. It’s called a Snipe Hunt. It’s the [Romanian] Circus, but it’s leaner and faster.”

    • S4E5
  • The Snipe Hunt

    • S4E5
  • The Roman Wedding

    • S4E6
  • The Peruvian Slide
  • The Boca Backlash
  • The Oklahoma Little Chucky
  • The Chilean Custard
  • The Moonwalking Bear

    • S4E8
  • The Big Store

    • S4E8
  • The MassDOT Special

    • S4E9 (also in S3E7, but unnamed)
  • The Wicked Stepsister
  • The High Minne Scam Variant

    • S4E15
  • The Lazy Dachshund
  • The Pizarro Pressure Point
  • The Double-Pronged Monkey Con

    • S4E16
  • A Radio Play

    • S4E17
  • The Oligschlager Shuffle

    • S5E2
  • The Arkham Ascent

    • S5E3
  • The White Van Speakers

    • S5E4
  • The White Rabbit

    • S5E12
  • A Swap-and-Whisper Campaign

    • S5E13
  • The Trojan Horse

    • S5E15

secretallie:

This is the moment I truly fell in love with Sophie Devereaux. Her instinctive reaction to Parker (whom she hardly knew at this point) saying she was sick was to check on her, to offer a caring touch that Parker may not have felt in a very long time. I was surprised. I mean, femme fatales I know. Maternal figures, I know them, too.  But a femme fatale with a motherly side? I sat up and took notice.

That’s how Leverage got me. It took all these tropes, shook them all up, added a pinch of this and that, and somehow gave us complex human beings we’d want to get to know and understand. So we got a femme fatale who mothers everyone, an emotionally intelligent tough guy, a charming and outgoing geek, a mastermind whose own life is out of control, and a childlike innocent who is perhaps the most dangerous member of the crew. And by the time the show’s over, not one of them has remained the exact same person we met in the first season–they’ve all changed and grown, as a family and as individuals, they’ve let their edges melt and overlap into each other while settling more comfortably into themselves. And we saw it happen.

What a joy to have seen it happen.