don’t know if this is as ~deep~ as i think it is, but by all of gaston’s own personal standards of identity/values, the beast is a better man than he is: brawnier, bigger, fightier, & of course every last inch of him’s covered in hair
ohmigod, it’s true though! the beast was basically gaston, and the ticked off fairy turned him into the purest manifestation of his toxic ideals to make him learn to be less of an ass
…..now I really wanna see the version of the movie where instead of dying, the curse passes from the beast to gaston!
except gaston doesn’t have a swag ass castle to sulk in, so he’s out running around the countryside, hiding in forests and stuff, alternately terrorizing the populace and being hunted. it’s a turnabout of his “peerless hunter” backstory– he is now both the monster and the prey.
untillllll he, idk, meets some humble woodcutter(?) that takes him in when he’s wounded or offers him shelter in a storm? and etc, etc, LIFE LESSONS, toxic masculinity slowly vanquished. (ooh, or maybe it should be like–a flower seller or herbalist or some feminine-coded profession he would have devalued to really set up a foil.)
also the gaston-beast needs antlers. terrifying claw-hooked sprawling antlers. antlers for all of his decorating.
I stumbled upon this portrait by Giovanni Boldini purely by chance while looking for stuff on Google images. I only saw the miniature at first and mistook the right end of the coat/dress for a foamy wave, and thought it was a stormy beach scene. Made me think of Ariel immediately ! I clicked on the pic and realized it was completely different though. But… why not ? 🙂 Loved the flow of the pose and Edwardian feel. Just added the iconic wave !
Ariel looks very wistful here. Maybe Eric turned out to be a douche after all (or does he have smelly feet ?) and now she longs to go back to the sea. Don’t give up everything to follow a pretty boy you just met, I guess 😀 No worries, daddy got yo back.
So Hunchback is far and away my favorite movie from Disney’s
Renaissance, and it always makes me so happy that yes, people seem to
appreciate it, people seem to love it, but I’mma go into exactly WHY it’s my
favorite, and WHY I think it’s so crucial, and WHY I think it should be
required viewing for young boys specifically.
We all know that a huge bulk of the media we’ve grown up
with consistently has that one frustrating message: Being the hero means you’ll get the
girl. Many boys let this mentality bleed
into reality. We have “nice guys,” who
feel that their niceness entitles them to romance, when obviously that
discredits a female’s personal choice. We
all get this, we all know this, and a lot of us get that it’s a toxic message.
So check out our hero.
He’s an incredibly good person who isn’t conventionally attractive.
Check out our lady.
Super good person, conventionally attractive.
The movie so deliberately builds up Quasi’s hopes. There’s a whole fucking song about it.
But Esmeralda, who is her own person with her own
motivations and preferences, chooses another man, who is also good and also
attractive.
A lot of people criticize this aspect of the movie, the fact
that Quasi doesn’t get the girl BECAUSE of his appearance. But my argument? This is the best damn message a movie could
ever send.
Because when things get dicey, when Esmeralda’s life in in
danger, when Quasi would be putting his own life on the line, he knows that
romance is no longer within the realm of possibility. He knows he won’t be “getting the girl.” He knows this, and he allows himself a moment
of bitterness, he risks falling prey to the “nice guy” trope, and he almost
succumbs.
“She already has her knight in shining armor, and it’s not me.”
BUT THEN HE DOES THE RIGHT THING.
He has NO ulterior motive for saving her life. NO ulterior motive for opposing the man who
raised him. And he doesn’t know that he’ll
get any reward, he knows he could straight up get killed for his actions, and
yet he still acts.
And there’s no bitterness.
There’s still so, so much love between him and Esmeralda, pure awesome
platonic love, and love between him and Phoebus, and just fucking love all
around, it’s amazing.
I’ve heard so many people express distaste at Quasi not
ending up with Esmerelda. Like he was
cheated out of some kind of reward. But
have they watched the ending?
Does that look like a man cheated of his reward? Does he look like he “lost” to Phoebus? No dude, that’s a man who has everything he
ever wanted, and that’s also a man who didn’t “get the girl.”
If that’s not an essential message for young boys to hear, I
don’t know what is.
The writers described HoND as a “Rolling Stones” ending: Quasimodo doesn’t get what he wants (Esmeralda’s love) but he gets what he needs (freedom from his abusive guardian and acceptance by the city in general). And yes, that totally counts as a win for him.
An excellent opposite to this would be the plot to The Phantom Of The Opera (the book) He does not embrace her personal choice.
On a scale from Hunchback of Notre Dame to the Phantom of the Opera, how badly did you handle a lifetime of isolation based on deformity, and losing your crush to a guy who would absolutely place second to you in a singing competition
You have many of the abilities of a Disney princess. You can talk to animals, people burst into song around you, and it seems every other day a “Prince Charming” type falls madly in love with you. As one of the most feared mafia enforcers in New York, it’s tough, but you make it work.
“How did you know?!” He squeals, on his knees and shaking.
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