tyrannosaurus-rex:

mineyoung-churyuu:

hubriscomplex:

biggest-gaudiest-patronuses:

8ddict:

biggest-gaudiest-patronuses:

captainlordauditor:

some iconic dialogue that sounds like its from the great canon of literature but are actually from memes

  1. I will face God and walk backwards into Hell
  2. “I’ll do whatever you want” “then perish”
  3. I have been through hell and come out singing

feel free to add more!

  • There are no gods here
  • Do I look like the kind of man who dies
  • God’s dead and soon we will be too
  • I thought there were no heroes left in this world 

• you kneel before my throne unaware that it was built on lies

  • Impudent of you to assume I will meet a mortal end
  • This is hell’s territory and I am beholden to no gods
  • Bury me shallow, I’ll be back

– take this gift, for the gods surely won’t

  • God wishes he were me
  • One day, you will be face to face with whatever saw fit to let you exist in the universe, and you will have to justify the space you’ve filled

Violence for Violence is the Rule of Beasts

thatswhywelovegermany:

Castle of Adelebsen, district of Göttingen, Lower Saxony

The town of Adelebsen was first mentioned in 990. The oldest surviving part of the castle is the tower, which was built in two phases: The first three levels were built between 1370 and 1380, the upper seven levels, of which six are preserved, were built between 1420 to 1440.

The castle was severely damaged in the Thirty Year War, but partially rebuilt from 1650 onwards.

Family von Adelebsen owned the castle from the early 13th century until 1957, when the last male member of the family, Georg Freiherr von Adelebsen, died without a legitimate heir. He established a foundation in 1947 with the purpose to preserve the castle as cultural heritage and transferred the ownership to the foundation. The foundation is currently led by a great-grandson of the last von Adelebsen.

THE PROPOSAL: Subjectivity by the panel

narwhallove:

For an issue with more characters than Logan’s got chest hairs, how does artist David Marquez get into individual minds without the clunky “Meanwhile” caption? How do we leap from a big scene featuring 9,000 gawking X-men and go super-personal …

… into the head of a wily thief who’s about to make the biggest decision of his life?

image

This post thinks through how Marquez creates a sense of a character’s subjectivity by paneling and composition—in Remy’s proposal scene. The 21st century has made us expert visual readers, and we pick up these cues unconsciously. My goal is to make those cues explicit, so it’s clear how much work we actually do when we read comics.

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