Nate is a reluctant vampire who got turned in the same
incident that killed his son. He only goes after bad guys, and he’s never
killed anyone (that he knows of) but substance abuse is substance abuse, and
the fact that he can’t look in a mirror and see how bad he looks gives Sophie
many a fretful morning of “You were out again all night, I can see it. You didn’t
even wash up” accompanied by grouchy grunts from a freshly-self-loathing Nate.
Eliot is a were-creature of some kind. No one knows what,
because no one who’s seen him fully transformed has lived to tell the tale.
Those who have seen glimpses just know there are a lot of teeth involved. A lot of teeth.
Parker isn’t quite girl and she isn’t quite ghost. She’s
stuck halfway between – the result of not getting out of a certain exploding
house quickly enough as a child – which makes snacking a task sometimes (and
kissing even more so) but the perks are worth it. Being able to literally walk
through walls has made her the world’s greatest thief.
Hardison is human. Completely and totally. But in a world
where vanilla humans are often prey, he’s learned to defend himself with a
grasp of both technology and actual magic that rightfully earn him the title “wizard.”
He frequently uses fictional mages as aliases and Eliot will never let him live
down the time a flustered “Agent Gandalf” got laughed out of an FBI field
office.
Sophie is fey – as fey as they come. No one knows how old
she is (and no one dares ask) and while her acting skills leave much to be
desired (the fey can’t actually lie, after all), when she casts a glamour it
takes a strong mind to see anything other than exactly what she wants them to
see.
“Deborah Ann Woll returns as Karen Page, with another tour de force performance making the character almost worthy of her own superhero series as a crusading reporter willing to stand up against the same villains against whom the superhuman costumed vigilantes do battle. Woll’s role is the single most important supporting character in any of the Marvel-Netflix shows, in terms of the dramatic weight and relevance she has for the narratives and for providing an audience surrogate at times. Woll treats every scene like she’s the star of the show, and it’s easy sometimes to forget she’s not.”
One of my fave scenes in the show is when Wynonna is drinking and dancing and flirting; and Doc’s there in the bar and doesnt intervene until he thinks she’s afraid and in trouble. He already has feelings for her but is content for her to do her own thing and be independent because he’s not trying to control or own her.
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